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Engage California English Learners through the Arts!
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  • More
    • Home
    • ABOUT
      • About ECELA
      • Project Flyer
      • Teaching Artists
      • Teacher Spotlight
    • Leadership
      • Institute Toolkit
      • Yr. 1 Leadership
      • Yr. 2 Leadership
      • Yr. 3 Leadership
      • Yr. 4 Leadership
      • Evaluation
    • Coaches/Teachers
      • Yr. 2 Toolkit
      • Yr. 3 Toolkit
      • Yr. 4 Toolkit
    • Parents/Family
    • Resources
      • Modules
      • ECELA OER
      • Visual Arts
      • Dance & Movement
      • Mindfulness Video Series
      • ECELA Calendar
      • ELD
      • Lesson Template
    • Contact
    • Music & Voice
Engage California English Learners through the Arts!
  • Home
  • ABOUT
    • About ECELA
    • Project Flyer
    • Teaching Artists
    • Teacher Spotlight
  • Leadership
    • Institute Toolkit
    • Yr. 1 Leadership
    • Yr. 2 Leadership
    • Yr. 3 Leadership
    • Yr. 4 Leadership
    • Evaluation
  • Coaches/Teachers
    • Yr. 2 Toolkit
    • Yr. 3 Toolkit
    • Yr. 4 Toolkit
  • Parents/Family
  • Resources
    • Modules
    • ECELA OER
    • Visual Arts
    • Dance & Movement
    • Mindfulness Video Series
    • ECELA Calendar
    • ELD
    • Lesson Template
  • Contact
  • Music & Voice

ECELA Year 4 Toolkit for Coaches & Teachers

Purpose

This ECELA Toolkit is specifically designed for the use of ECELA district coaches and teachers to utilize as a guide to important information pertaining to one's role and responsibilities during Year 4 of the ECELA Project. Below includes: Coach/Teacher Deliverables, Music Connections to EL Strategies in Modules, Integrated Arts & ELD Lesson Planning, Instructional Videos, Coaching Support, and tools/resources to support each of you at your district and/or site. 

For more...

professional learning tools and resources on ELD, Arts Integration, Social Emotional Learning they can be found in the ECELA Open Educational Resources (OER).

Access Now

Project Year 4: Music & Voice Integration 2024-25

Yr. 4 Deliverables

Music Connections to EL Strategies in Modules

Music Connections to EL Strategies in Modules

  • Coaching Timeline & Deliverables
  • Teacher Timeline & Deliverables
  • Merced COE & District Timeline & Deliverables

Music Connections to EL Strategies in Modules

Music Connections to EL Strategies in Modules

Music Connections to EL Strategies in Modules

Strategies to Develop Literacy through Music/Voice:

  1. Creative Use of Vocal Sound
  2. Focused Listening-Responding
  3. Singing to Learn a Language

Integrated Arts & ELD Lesson Planning

Music Connections to EL Strategies in Modules

Music Teaching Artists' Lessons & Resources

  • ELD Roadmap
  • ELD Framework
  • ELD Standards
  • ELPAC Domains Information 
  • CA Arts Standards
  • Arts Integration Lesson Plan Template
  • ELD Teacher Resources
  • ELD Parent Resources

Music Teaching Artists' Lessons & Resources

Music Teaching Artists' Lessons & Resources

Music Teaching Artists' Lessons & Resources

  • Andrew Grueschow (Strategy 1: Creative Use of Vocal Sound)
  • Education Through Music LA (Strategy 2: Focused Listening-Responding)
  • Kellen Law (Strategy 3: Singing to Learn a Language)Music & Voice Booklist
  • 'Inhale-Exhale' Song Exercise

Lesson Plans

Coaching Support

Music Teaching Artists' Lessons & Resources

Family and Community Engagement

Contact Dotti Ysais, Project Director (Ysais_Dotti@lacoe.edu)

OR 

Arleen Bates, Project Coordinator

(Bates_Arleen@lacoe.edu)

(562) 922-8852

Family and Community Engagement

Music Teaching Artists' Lessons & Resources

Family and Community Engagement

Parent Resources:

  • Teaching English Language Learners: Effective Instructional Practices
  • Family Engagement and SEL
  • Parents' Guide to the Visual Arts & Performing Arts in CA Public Schools

MUSIC INTEGRATION MODULE UNIT 2-LESSON 5

Strategy 1: Creative Use of Vocal Sounds

In this strategy, Creative Use of Vocal Sounds, students are asked to work with a small group to use iconic notation to create and then perform a musical composition using only vocal sounds, such as growling, smacking, shushing, etc.

An interesting way to create composition is with the human voice. English learners are already learning how to use their voices in new and unfamiliar ways, so expanding their learning arc to experiment with different vocalizations to make music seems natural. In fact, experimenting with sounds that occur in English and don’t occur in their home language is a way to practice English articulation.

Human voice is one of the most versatile instruments, having the ability to be manipulated to make sounds such as sirens, barking, the wind, etc. and provides possibilities for creating dynamic music. This style of vocal composition generally does not involve singing, but rather uses the voice as an instrument to create sounds and effects that can be combined into interesting music.  


MUSIC INTEGRATION MODULE UNIT 4-LESSON 5

Strategy 2: Focused Listening-Space Exploration

English learners must make use of very focused listening to comprehend their new language, even at the more advanced levels of proficiency, and especially when learning the academic language of new content. This focused listening includes listening for linguistic features, such as the organization of a text, how the use of particular sentence patterns, clauses, and phrases impact meaning, and of course, vocabulary. In addition, ELs’ focused listening must also include paralinguistic features, such as intonation, pitch, speed of speech, hesitation noises, gestures, and facial expressions. Listening is very complex but is a skill that English Learners bring to the music experience.

A simple but effective activity for learning to recognize elements of music such as rhythm, dynamics, tempo, and pitch is Focused Listening. This is similar to Close Reading and Close Viewing discussed in previous modules and the focused listening described in the previous paragraph. Focused Listening has an additional benefit of calming and allowing listeners to think creatively. Practicing Focused Listening benefits both English Learners and English Only students and is especially relevant when learning about music.

Strategy 2: focused listening Continued

Classroom Connection

  • Language Arts: Students might write a Haiku of their experience. (Haiku is a form of Japanese poetry that uses sensory language to capture a feeling or image. Haiku structure consists of 3 lines. The first and last line have 5 syllables, and the middle line has 7 syllables.) Or students might create a listening map of the form a piece of music (i.e., ABA, beginning-middle-end) with varying colors to visualize how sections come together to tell a story.
  • History/Social Science: Students might review the connections of the names of the planets to mythology.
  • Science: Students might expand upon a study of the solar system and astronomy. They might likewise use a listening map that focuses on science concepts such as pitch, volume, frequency and amplitude of sound waves and map these concepts using multiple colors in their map for each of these science concepts.
  • Math: Students could use a listening map to practice graphing skills by using a line map plot for this strategy.
  • Dance: Students might create a dance inspired by the music and their drawings and subsequent discussion.
  • Visual Arts: Students will have a piece of abstract art based on the musical listening experience they just engaged in! Students may even write an accompanying artist’s statement to discuss their drawing and what it means to them

Learn more about...

In this strategy, focused listening, students are asked to listen to draw as they listen to a piece of complex music. Their drawing parallels stream of consciousness writing, in that it is a reflection of how the music makes them feel as they listen.  Click the button below to read the article discusses the use of Listening Maps as a way for students to respond to music, encouraging the application of the music terms and concepts studied in Units 2 and 3 of this module. 

Read more

MUSIC INTEGRATION MODULE UNIT 3-LESSON 4

Strategy 3: Singing to Learn Language

Singing has always had a place in the elementary classroom and is an activity many adults today still remember fondly. Connecting singing to the ELD standards, the CA Arts Standards, and content standards can serve to joyfully reinforce language and content acquisition.


In this strategy, students follow the protocols for Close Reading to listen to, analyze, and perform a song using rote singing. In the process, students are asked to engage in analytical and reflective discussions with partners, small groups, and the whole class.


Materials

Age appropriate songs, including lyrics and recordings, unless the teacher can accompany the students on an instrument.


Context

Whole class instruction, extended with pairs and collaborative groups.


Instruction

Close Listening follows the protocols for Close Reading in the ELA/ELD Standards, Reading a painting in TEAL Visual Arts, and Reading a Dance in TEAL Dance.

  1. Ask students to share their favorite song with a partner and why that’s their favorite song. Partners share with the whole class to make a graph of favorite songs. Students might all sing the most popular song together.
  2. Students listen to a recorded version of an age appropriate song without seeing the lyrics and then read through and discuss the lyrics with the teacher.
  3. Students then sing along with the recorded version (rote singing).
  4. Teacher leads discussion of characteristics of the song, employing musical terms (rhythm, pitch, personal/cultural connections, melody, etc.).
  5. In pairs, students discuss why they like/dislike this song, using appropriate music terminology. Scaffolds such as word banks and sentence frames will allow English Learners to participate effectively in the discussion and will encourage students to elevate their levels of academic language. Teachers should acknowledge and affirm high levels of academic language that they overhear in these discussions, perhaps noting student examples on the board for student reference.


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